In a cultural climate saturated with narratives of collapse, trauma, and fragmentation, this body of work positions itself as a counter-gesture: an invocation of luminosity, a refusal of cynicism. While much of contemporary art focuses on pain or conflict, All Is Full of Love moves in the opposite direction—toward wholeness, kindness, and spiritual presence. The project is a visual manifesto of optimism, purity, and faith in the good. It is a gentle reminder that love is real, beauty exists, and we can choose light over darkness.